Zadie Smith has written her tips on how to be a good writer & reader - or rather, how to 'fail better'. More tips to come next week. She ends for now with a word for the reader: gotta work.
Excerpt 10. Note to readers: a novel is a two-way street
A novel is a two-way street, in which the labour required on either side is, in the end, equal. Reading, done properly, is every bit as tough as writing - I really believe that. As for those people who align reading with the essentially passive experience of watching television, they only wish to debase reading and readers. The more accurate analogy is that of the amateur musician placing her sheet music on the stand and preparing to play. She must use her own, hard-won, skills to play this piece of music. The greater the skill, the greater the gift she gives the composer and the composer gives her. This is a conception of "reading" we rarely hear now. And yet, when you practise reading, when you spend time with a book, the old moral of effort and reward is undeniable. Reading is a skill and an art and readers should take pride in their abilities and have no shame in cultivating them if for no other reason than the fact that writers need you. To respond to the ideal writer takes an ideal reader, the type of reader who is open enough to allow into their own mind a picture of human consciousness so radically different from their own as to be almost offensive to reason. The ideal reader steps up to the plate of the writer's style so that together writer and reader might hit the ball out of the park. What I'm saying is, a reader must have talent. Quite a lot of talent, actually, because even the most talented reader will find much of the land of literature tricky terrain. For how many of us feel the world to be as Kafka felt it, too impossibly foreshortened to ride from one village to the next? Or can imagine a world without nouns, as Borges did? How many are willing to be as emotionally generous as Dickens, or to take religious faith as seriously as did Graham Greene? Who among us have Zora Neale Hurston's capacity for joy or Douglas Coupland's strong stomach for the future? Who has the delicacy to tease out Flaubert's faintest nuance, or the patience and the will to follow David Foster Wallace down his intricate recursive spirals of thought? The skills that it takes to write it are required to read it. Readers fail writers just as often as writers fail readers. Readers fail when they allow themselves to believe the old mantra that fiction is the thing you relate to and writers the amenable people you seek out when you want to have your own version of the world confirmed and reinforced. That is certainly one of the many things fiction can do, but it's a conjurer's trick within a far deeper magic. To become better readers and writers we have to ask of each other a little bit more.
I am a writer and arts journalist now based in Lagos. This is a blog on arts and culture. The focus is on Nigeria's art scene, especially her 'Word's Body' - the writers. As and when, we'll also touch on wider African writing, as well as international literature. In short, a saturation of the arts.