In Conversation

Isioma Daniel sends in the following snippet from her conversation with novelist Sefi Atta at last month's Stavanger festival.

Everything Good Will Come by Sefi Atta is one of the best novels written by a Nigerian author I have ever read. Atta writes from a unique point of view – a progressive, middle-class one, and most importantly, Enitan, the narrative’s main character, breaks the mould of what a Nigerian woman should be. I spoke briefly to the author during this year’s Kapittel Literature Festival held in Stavanger, Norway.
- Isioma Daniel

Now, the Q & A...

• Isioma Daniel: Why did you choose to write about a middle-class Nigerian girl?
• Sefi Atta: I thought it would be easier to write about what I knew. It was only marginally easier. The middle-class Nigerian experience has really not been examined in our literature and as a reader, I’d always wondered why. As a writer, I have come to realize that publishers overseas are not that interested in stories about privileged cosmopolitan black African characters--or so it seems to me.
• ID: Would you call your book a feminist novel for Nigerian women?
• SA: It is a novel for anyone who is interested in reading it.
• ID: What's your writing process like?
• SA: I finish my first drafts in three to six months and then revise for years. I wrote my second novel, Swallow, five or six years ago. I started sending it out to publishers this year and it will be published in Nigeria in 2007.
• ID: Who is/are your audience(s)?
• SA: I am very much aware of an audience, a world audience. I write so that someone in Ghana might understand or someone in India or someone in Norway. Nigerians are my primary audience though. I always want Nigerians to say of my stories, yes, this is realistic.

Related Post

More from Stavanger

The group Women's Voice performing at Kapitell's opening ceremony.

Sefi Atta and Isioma Daniel @ the Stavanger Literature Festival in Norway.

• Related post
• Images by Isioma Daniel.

'Hottentot' Slur @ Stavanger LitFest

No wonder Benjamin Zephaniah (below at the Stavanger Literature Festival in Norway last month) looks worried. A festival celebrating writers of African descent degenerated into a SlurFest, with the word 'Hottentot' uttered by none other than one of the organisers. And that is not the end of it. Isioma Daniel reports, below.


Benjamin Zephaniah

'Hottentot' Comments Enrage Festival Guests
By Isioma Daniel

Kapittel, the annual literature festival held in Stavanger, Norway, pulled in the biggest names in literature of the African continent.

On the third day of the festival, Birgit Hatlehol enraged many of the visiting black guests when she quoted a line from the Norwegian poet she was introducing. At the small pub, Cementen, British Kat Francois and Linton Kwesi-Johnson had just performed on stage when Hatlehol came on to introduce the Norwegian poet Kjell Vindtorn and used the word ‘hottentotskjørt’ which means ‘hottentot skirt.’


Chris Abani and Russell Banks

Many of the participants were offended by the quote. According to them, several of the Norwegian audience stood up and left the pub, commenting that not all Norwegians share similar views.

Carola D.A Kinshasa of the performance group Women’s Voice was disappointed. ‘I thought this festival was about filling in the gap between our cultures, men now most of the African artistes feel like objects. We are here only because the organisers think it makes the programme look good. All the discussions and seminars have been led by white people talking about Africa, while we’ve been brought here as performers,’ she said.

The festival has included Ben Okri, Benjamin Zephaniah, Uzodinma Iweala, Chris Abani, Sefi Atta and Isioma Daniel. The latter interviewed Sefi Atta on her novel, Everything Good Will Come. Benjamin Zephaniah inspired the black audience living in Norway with a poem about rejecting the media’s negative portrayals of black men and women, ‘Listening to the wrong radio station.’

Hanna Wozene Kvam also reacted strongly to Hatlehol’s words. ‘It was completely inappropriate. There were also several fairly racist comments made back stage. But it’s even worse, when such things are said publicly. Then one has to react,’ she said.

‘Africa and Denmark in Our Hearts’ was the festival’s theme.


Michela Wrong, Marte Michelet, Uzodinma Iweala and Pedro Rosa Mendes.

Thomas Ajamu Prestø, leader of African Youth Norway, said: ‘This is serious, one of the worst things I’ve experienced. One of the artistes was introduced as a clawing wild cat and of another, Hatlehol constantly said she ‘had met hottentots in Africa before.’"

Hatelehol has explained that her comments have been exaggerated and taken out of context.
"‘Wildcat’ was a clumsy translation of an Italian word Ben Okri’s wife had taught me, which she by the way had used on me, and I took it as a compliment and used it on Hannah Wozene Kvam," said Hatlehol.

Hatlehol had also made comments about ‘unreliable African men who have a tendency not to show up.’ She insists that these comments are grounded in what she has experienced while organising the festival.

• Images - © Isioma Daniel