Writings of the general word's body

Showing posts with label Chuma Nwokolo. Show all posts
Showing posts with label Chuma Nwokolo. Show all posts

Sunday, May 23, 2010

Yesterday's BookJam




Chuma Nwokolo (standing) reads from his poetry collections, Memories of Stone, at yesterday's BookJam - the fourth edition also featuring (from left) Binyavanga Wainaina, Sade Adeniran and Chimamanda Ngozi Adichie. Nwokolo followed his reading of a poem on old shirts with an excerpt from his book, 'Diaries of a Dead African'. The hilarious passage brought the house down and probably led to quite a few sales of the book for the author to autograph afterwards.

Wainaina was the first reader, followed by Sade Adeniran (who read a funny 'wormy' episode from Imagine This, after which the main character, Lola Ogunwole misguidedly plots her expulsion from a hated school by opening her legs).

Adichie read work the of two participants in the ongoing Farafina Writing workshop, the pieces actually produced during the sessions. The workshop writers were all at the event - and yes, Novuyo Rosa Tshuma did make it after all.

The BookJam packed them in, into the Lifestyle Bookstore of the Silverbird Galleria on Victoria Island. This being an event involving Adichie, BookJam 4 also had its share of the now familiar 'Chimamanda groupies' who can't ask a question or comment without beginning with 'Oh, I love you sooo much. You are so wonderful. I can't believe you're here in front of us etcetera etcetera'. The spontaneous burst of declared affection is now usually drowned out by the ohhhs and ahhhs of a knowing crowd - as yesterday's main contender discovered, while someone said 'pass the tissue!'

Usually held on the last Saturday of the month, BookJam was moved forward this month because the Farafina literary event of readings and music which traditionally closes Adichie's workshop, holds next Saturday (at the Civic Centre, Lagos).

Sade Adeniran continues her book tour at the House of Makeda today.
  • Images by MW - see Igoni Barrett's photos here

Monday, October 08, 2007

New Reads



The new issue of African Writing is now online, in a bumper package that you will read and read and read and hardly ever finish. Literary news, interviews, profiles, fiction, poetry, reviews, and stunning visual art. And where do we start with the contributors? Best not to start.
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Let's just have a look at the fiction - 15, yes that's 15, short stories by contributors including Courttia Newland, Nii Ayikwei-Parkes, Kola Boof and Akin Adesokan.
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In Dike Chukwumerije's Bus 73, a white man and a black woman regularly take the same bus at the end of the working day in North London. They are familiar in a way that only strangers who have never spoken can be. He is lonely, she is lonely. Each wonders if the other can fill the hole in his/her life. Does he have a name she can fit in her mouth, she wonders. Would she fit in at his mother's dinner table? The reader is on tenterhooks, reads with trepidation, wondering if the 'lovers' will find it within them to breach the gulf of loneliness.
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Here's an excerpt...
I wonder how my name would sound on his lips. She shakes her head at the persistence of her obsession. I must be lonelier than I thought. I wonder how my name would sound on his lips. Most probably, he would draw it out, misplace the intonations. I’ll teach him. My man must call my name right. I can’t have him calling me a flea bag instead of a precious stone. Different intonation, different meaning.

That’s what I fear about being with a white person; the nuances I would have to enjoy alone, the shaded meanings I would have to explain. She feels like she is talking out loud. And the music. Would he understand the drums? What would she do if he could not dance with his waist? This is madness, all these thoughts. But she found it interesting, talking to this white man in her head.

Can you dance with your waist? She asks him. No. Then, what good are you to me? You know how you always wished that Tumi would be the first to reach for your hand when you were in public — that’s what he says in her head — I will. She looks at him sceptically. If I will be all those things Tumi was not, will you have me? She thinks about it for a second that she says — Yes.

I wonder if she would have me. He looks at her. She is awake again, looking out the window. I wonder if she would deserve me; I have so much to say, so much to share. Are they not all like Lynn? They are not. He remembers Sarah. Sarah was not like Lynn. He remembers Sarah, with shame. With Sarah, I was the vulture, I was like Lynn. It is the wheel that has brought retribution. I have paid for my sins, he thinks. No more.

I would have you, yes, if you are not a vulture. If you are not looking to watch me die and feed off my flesh. She looks at her face in the glass. I would have you if you are a gardener with tender hands and you understand that I am a rose, or a daffodil. I will always want attention. Not just for one or two weeks. Always.
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A tale of excruciating tenderness. The vulture image reminded me of the horrible photograph by Kevin Carter.
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Chuma Nwokolo's literary whodunnit, Poetic Justice, is the latest in his 'Tales by Conversation' series. Laureate Sir Anthony Augusto died many years ago and his young trophy wife was imprisoned for the murder. Her conviction is a surprise to Gargazin who left England 8 years ago. Now a retired sleuth beats a path from the UK to Gargazin's door in Nigeria. There's an 8-year-old mystery to be solved, as the two try to outwit each other, in a clever story that's bound to make you crack up with laughter.
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Excerpt...
What are you doing in my house, Laurence?
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That’s exactly what I’m explaining. The turning point for me came when I was 50, when I stopped trying to prove myself. I had just joined the Thames Valley Police from Humberside. I went into the reverse of denial. I began to draw out my sentences. Sometimes I’d spend an hour at my desk, mulling over a piece of evidence and a blank sheet of paper. During the first few months in Oxfordshire, everyone thought my first performance review would sweep me out of service. Yet, when the reviews did come in, my bosses noticed something: case files did linger on my desk - but my cases were never thrown out of court. My success rate was at the top of the division.
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Mister Laurence…
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Then came the case of my career: the homicide of Sir Anthony Augusto, Poet Laureate of England. We got a conviction alright, which is now on my conscience. That’s the case that brought me to Lagos.
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I left Oxford eight years ago!
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The case is eight years old. - And It has taken me that long to decide we got the wrong person.
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Let me get this clear, Mister Hughes, you turn up on my doorstep under false pretences, you eat my wife’s jollof and sit under my orange tree - and all the while you were secretly interrogating me...
~

Monday, September 03, 2007

Azu Kalia Azu

Why did I shrink to think of you,
Ezinnebunor?
why did I despair for the words to describe you?
why was this world, since you left,
a large ashtray for dreams?

Come mother mine
of the canny laughter
that mellows raging beasts into wagging tails,
set that joy right here where it hurts
-I’ve been herding gloom
since your presence fled that afternoon
when the eclipse of your laughter froze in place.
The meteor strike of death
'that planted, scattered you across the earth'
has me wandering far and wide
seeking harvest from a sprouting you,
Mama:

Here is a constant sea
looking to cast a perfect wave
to cleanse her beach
of every foreign thing.
Just missing perfection,
she retreats patiently, and casts her net again;
and again, and
again... here’s a face of patient you,
looking to salving every hurt
In your chest of faith.

So curl, enfold, the waxen wick of you
deep in the lamp of memory.
You are not dead, dear Mama,
merely recoiled into the tank of earth.
Memory holds you now, Mama.
While we live, you live.
And in the bleakest darkest dreariest dawns
in which it seems the sun and moon and earth
are frozen in a black eclipse,
forgive me if I discomfit your rest
and draw you out from memory
to cast your lighted eyes,
broad like the girth of a small sea’s surf,
calm like her rolling waves that
break continually
upon the cliffs of adversity,
and heave that seismic sigh of yours
that fills the hungry with the husk of faith,
to assure me,as you always do:

‘The bigger swallows the fish, my child.
Tomorrow comes, the bigger fish.
Endure today.’

© Chuma Nwokolo Jr

  • Chuma Nwokolo Jr read Azu Kalia Azu (The Greater Fish Swallows the Smaller) during Word From Africa @ the British Museum on 2nd June 2007.
  • Used with permission

Monday, May 14, 2007

Word from the Mutha


Word From Africa - a London-wide celebration of the languages of Africa - takes place @ various venues between 2 - 10 June. There's some 2000 languages spoken on the African continent apparently (I'd hazard there's more). But don't worry if you don't speak 1, 2 or more of these languages. All are encouraged to come along anyway, because events will be in English or in translation or with commentary.

As for Music, organisers are confident it won't need translating.

Word from Africa kicks off with a full day of free events @ the British Museum on 2nd June.

And so on and so forth. Lots more writers & artists including Wangui Wa Goro & Blessing Musariri.

More information on Africa Beyond.

Sunday, October 15, 2006

Akeh, Nwokolo @ the Poetry Cafe


Afam Akeh & Chuma Nwokolo Jr - photographed by MW, October 2005.

--From Sentinel Poetry Movement--

You are invited to the Sentinel-Eastern Light Literary Afternoon organised by Sentinel Poetry Movement and Eastern Light EPM International in celebration of Black History Month.

Agenda includes:
  • Launch of the poetry collection Memories of Stone by Chuma Nwokolo, Jr.,
  • Pre-launch of Letter Home - poems by Afam Akeh
  • Unmasking the future of Sentinel Poetry Quarterly and introduction of the new Editor
  • Open Mike - readings of works by black writers. Readers may read their own works or works by legendary black writers.

Venue: Poetry Cafe, 22 Betterton Street, Covent Garden, London. / Time: 4pm - 6pm

Date: Monday, October 30th, 2006

Entry: FREE

If you would like to read at this event, or require more information please contact: Nnorom Azuonye (Event coordinator) E-mail: sentinel@sentinelpoetry.org.uk / Tel: 07812 755751

Monday, September 25, 2006

Nwokolo & Friends


So, when your ISP telephones
with an installation date,
wait.

Wait for the camel.

For the journey is the message
and it cannot be emailed.

& though the river may be dead
though her bed be dust
this may just be the day of the month of the year of the century
that it rains...

Chuma Nwokolo Jr
Writer-in-Residence, Ashmolean Museum, Oxford.

Join Chuma Nwokolo for Journeys
a Literary Evening in Black History Month
@ The Mallett Gallery, Ashmolean Museum, Beaumont Street, Oxford OX1 2PH
On Saturday 7th October, 2006
Programme
5.30pm - Guided Tour of the Treasures Exhibition
6.30pm - Chuma Nwokolo & Friends
7.30pm - Special Gospel Choir
Entrance is Free but booking essential.Contact Henrietta Gill
tel - 01895 288 181 /email - henrietta.gill@ashmus.ox.ac.uk